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Breeze Mantana- Caviar (Video) @BreezeMantana

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After a trip to Pete Rock’s crib at only 9 years young, Mount Vernon NY bred rapper Breeze Mantana knew that he had a place in hip-hop. Through a family friend Breeze had the opportunity to not only meet the legend but get a full tour of his in home studio. The visit ignited a spark in the predestined emcee. He went from stealing family members’ cd’s on visits as a kid to keeping his brother up every Monday night at 10 to catch DJ Clue’s Monday Night Mixtape show. In high-school he’d get pulled out of class by friend’s to battle in the courtyard but it wasn’t until the age of about 18 when he became completely invested in his craft after connecting with mentor and partner D-Rhymes.

To date he’s dropped three solo projects – If I Was Signed to Star Trek volume 3 (2007), You Only Live Twice (2010) and of course the most recent and relevant Let Us Cook (2015), which we’re going to dive into right now.

The new EP features 5 different tracks which all embody different lyrical expressions. Breeze offers something like a sampler to his listeners as he displays the flavors of his rhyming skills. First up there’s “Vanilla Sky” which features a fellow Mt Vernon rapper, Chris Black. While discussing the project he admits that he wasn’t planning to take his verse in the direction it went but after hearing what Black put down, it naturally went the way it did. Sort of a lyrical mini autobiography for both, it gets emotional and personal but still a catchy tune.

Most of the EP has the same old school meets today, sensation. It makes sense considering that Breeze is most inspired by the Golden Era of rap. Dudes like Common, Cam, Nas, Raekwon and Ghost and of course Hov are the rappers he has always admired and the only ones he’s ever been compared to.

A favorite of many of his supporters, “Head Shots” is up next. This one has a late 80’s early 90’s feel and the first line sets the tone for a wordplay rollercoaster –

“I watch these other niggas play nice/Just to stay in stage light /The Phantom of the opera /I’m giving these niggas stage fright /the author of the playwright…”

The song continues with the same momentum it leads with.

Of course there’s something for the ladies on the project. Although Breeze says he’ll never be the rapper with a bunch of female driven joints he also feels like it’s important to do something for the honeys especially since he has so many of us as supporters. “Fire” graced with J. Hyve’s vocals is a softer joint however it’s not without more witty wordplay and double entendre’s. 40 Below sheds the most frustration. It’s the most raw and insightful track out of the 5. Lastly, No Bronze Metals. The title alone says everything – play time is over and there’s no room for meritocracy. In this short piece Breeze declares his distinctiveness among his peers.

Breeze’s goal for the EP is to showcase the wide spectrum of what he can do and to lay out a nice set-up for his next big project American Greed. Right now he wants the listeners to rest with these five songs for a bit as well as the other releases he has out now. One thing he mentions not being fond of is the “fast food era” that hip hop is in now. “People don’t have any respect for the artistry, if someone drops something today it’s like ‘what’s next?’ tomorrow, people favorite the moment.” says Breeze. So there will be a small stretch until we get some more material. For now though check out his new video for Caviar (American Greed)

Soundcloud.com/Breeze-Mantana

Original writers credit / Author
Tina Louise
@tinalouiseme

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@42_Dugg Unleashes Brand New Single & Music Video For “Win Wit Us”

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Not everyone can be a winner. Detroit native and hip-hop sensation 42 Dugg is back with a fiery new single, Win Wit Us. The track, a precursor to his highly anticipated album 4eva Us, Neva Them, showcases Dugg’s signature style and lyrical prowess. In the brand new single, produced by FLEXONTHEBEAT, TyMaz, and Marshak, Dugg calls out those who try to ride his wave without putting in the work, cementing his stance in the rap game. The release is accompanied by an official music video directed by Counter Point, where Dugg and his crew dominate the streets and clubs of Detroit, visually reinforcing his message of loyalty and resilience. Dugg raps in the hard-hitting track:

All of sudden they wanna win wit us / But ain’t spin with us.

Dugg previously teased this new era of his music with a trailer featuring Hill Harper, further building anticipation among his fans. “Win Wit Us” follows a series of recent hits including Wock N Red, SpinDatBac, and Go Again. Earlier this year, Dugg made a triumphant return to the stage with a sold-out “Welcome Home” show at Detroit’s Little Caesars Arena, featuring appearances by superstars like Meek Mill, Yo Gotti, Lil Baby, and more. Notably, the event saw Dugg unite Detroit’s rival hip-hop factions, Doughboyz Cashout and Team Eastside, in a historic move to end the city’s East-West beef. Fans can expect even more groundbreaking music from Dugg as he gears up for his upcoming album. Don’t miss out on the latest single available for streaming here and watch the music video below. Link up with 42 Dugg on Twitter, Instagram, and YouTube.

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Reckless Rhymacide Drops New Birthday Anthem “It’s Yo Birthday”

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Indianapolis’ own Reckless Rhymacide has just released his latest track, “It’s Yo Birthday,” produced by the renowned Whodunit Beats. This fresh spin on the classic “Happy Birthday” song brings a catchy vibe, making it a perfect fit for nightclub atmospheres and adult birthday parties. With its catchy beats and modern twist, the track is set to become a staple for birthday celebrations everywhere, offering a new, exciting way to mark the occasion.

Reckless Rhymacide’s “It’s Yo Birthday” showcases his unique flair for blending contemporary sounds with familiar themes, ensuring the song resonates with a wide audience. Whodunit Beats’ production enhances the track with deep, rhythmic basslines and sleek instrumentation, creating an immersive experience that draws listeners in. As the song gains traction, it’s poised to redefine how birthdays are celebrated, combining tradition with a fresh, energetic sound that captures the essence of today’s music scene.

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Unveiling BIG 4.1’s Anthem: “BIG SACK”

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Hailing from Gwinnett ‘DA NAWF’, BIG 4.1 emerges as a beacon of authenticity in the realm of hip-hop. With his latest track, “BIG SACK,” recently released and produced by the skilled Joe Peoples, BIG 4.1 delivers not just a song, but a mantra for financial empowerment and self-improvement. In a world obsessed with flaunting bags, BIG 4.1’s message cuts through the noise, urging listeners to focus on filling their “BIG SACK” with tangible wealth rather than mere appearances.

The song’s genesis stems from BIG 4.1’s desire to instill a culture of financial responsibility and foresight. Emphasizing the journey from a single $100 bill to a sizable nest egg, “BIG SACK” serves as a daily anthem for those striving to secure their futures. In an exclusive statement, BIG 4.1 explains his motivation: “It’s that time, it’s right on time for what’s going on and to teach our culture to save up that BIG SACK start at 20. By the time you’re 40 you can retire yourself if you do it right.” With lyrics that resonate beyond the beats, BIG 4.1 aims to spark a movement towards financial literacy and empowerment.

As BIG 4.1 gears up for his show in Anderson, South Carolina, alongside his team, the BOONDOCK KINGS, his mixtape “ME VS ME BAR-4-BAR THE MIXTAPE Vol 1” sets the stage for a musical revolution. Promising “HIP Rock” or “Kuntry Rap,” BIG 4.1 delivers an authentic sound that transcends genres, appealing to listeners from all walks of life. With originality and consistency as his guiding principles, BIG 4.1 stands out not just as an artist, but as a visionary ushering in a new era of meaningful music.

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