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Grace Jones Criticizes "Middle of the Road" Pop Stars Beyoncé, Rihanna, Nicki, Miley in Memoir Excerpt

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Grace Jones Criticizes "Middle of the Road" Pop Stars Beyoncé, Rihanna, Nicki, Miley in Memoir Excerpt

Photo by Erez Avissar

On September 29, Grace Jones is releasing her memoir I’ll Never Write My Memoirs. A new excerpt of the book published in Time Out shows Jones criticizing some of the biggest pop stars in the world. 

The excerpt begins with Jones saying that she’s “never comfortable in the middle of the stream, flowing in the same direction as everyone else” and says her instinct is “to resist the pull of the obvious”. Then, she writes that she’s been “copied” by several major stars.

Trends come along and people say, ‘Follow that trend’. There’s a lot of that around at the moment: ‘Be like Sasha Fierce. Be like Miley Cyrus. Be like Rihanna. Be like Lady Gaga. Be like Rita Ora and Sia. Be like Madonna.’ I cannot be like them – except to the extent that they are already being like me.

Jones writes that she was offered to collaborate with an unnamed singer “on the list of those who came after me,” but declined despite people insisting that it would be good for her career. “No! It will be good for her; she will draw from everything I have built and add it to her brand, and I will get nothing back except for a little temporary attention.”

This led to her discussion that “the Nicki Minajes and Mileys” of the pop world have “no long-term vision”. 

…They forget that once you get into that whirlpool then you have to fight the system that solidifies around you in order to keep being the outsider you claim you represent. There will always be a replacement coming along very soon—a newer version, a crazier version, a louder version. So if you haven’t got a long-term plan, then you are merely a passing phase, the latest trend, yesterday’s event.

They dress up as though they are challenging the status quo, but by now, wearing those clothes, pulling those faces, revealing those tattoos and breasts, singing to those fractured, spastic, melting beats – that is the status quo. You are not off the beaten track, pushing through the thorny undergrowth, finding treasure no one has come across before. You are in the middle of the road.

She ends the piece by saying that she’s a teacher, and she names a few of her “pupils”: Kanye West, FKA twigs, Lady Gaga, Madonna, Annie Lennox, Katy Perry, Rihanna, and Cyrus. 

Read the entire excerpt

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(Video) KING FAME – Goin thru it

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Buffalo’s own rising star, King Fame, sets the music scene ablaze once again with the release of his latest visual spectacle, “Goin Thru It.” Shot on location in the heart of Buffalo.

With his signature blend of his raw delivery and poetic lyricism, King Fame invites listeners to join him on a journey of his pathway.

Turn the volume up as ” King Fame delivers powerful bars like this one, “The ones that wish you blessings, be the ones that curse you,” viewers are captivated by the raw honesty and lyricism.

Tap in with King Fame via
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Instagram @Stmb_kingfame

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Reckless Rhymacide Drops New Birthday Anthem “It’s Yo Birthday”

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Indianapolis’ own Reckless Rhymacide has just released his latest track, “It’s Yo Birthday,” produced by the renowned Whodunit Beats. This fresh spin on the classic “Happy Birthday” song brings a catchy vibe, making it a perfect fit for nightclub atmospheres and adult birthday parties. With its catchy beats and modern twist, the track is set to become a staple for birthday celebrations everywhere, offering a new, exciting way to mark the occasion.

Reckless Rhymacide’s “It’s Yo Birthday” showcases his unique flair for blending contemporary sounds with familiar themes, ensuring the song resonates with a wide audience. Whodunit Beats’ production enhances the track with deep, rhythmic basslines and sleek instrumentation, creating an immersive experience that draws listeners in. As the song gains traction, it’s poised to redefine how birthdays are celebrated, combining tradition with a fresh, energetic sound that captures the essence of today’s music scene.

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